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- VIDEO, Page 77"Red Harry's" Revolution
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- By Richard Zoglin
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-
- A VERY BRITISH COUP
- PBS; Jan. 15 and 16,
- 9 p.m. on most stations
-
- Leftists come in all shapes and sizes, but few have the
- foursquare charm of Harry Perkins. A bluff, charismatic
- ex-steelworker, he has been swept into power as Britain's Prime
- Minister with the most radical mandate of the century. From the
- start, he proves himself a master of both style and substance.
- Instead of the traditional ride to Downing Street on his first
- day of work, he opts for an egalitarian stroll. To both
- insiders and outsiders he pledges openness and honesty. "We
- stand on our own two feet, and we tell the truth," he instructs
- his press secretary. "Original, don't you think?"
-
- His socialist agenda is disarmingly up front (at Cabinet
- meetings he calls his Ministers "comrades"), his tactics
- street-fighter tough. When the U.S. Government, upset at
- Perkins' antinuclear policies, turns up the economic pressure,
- he thumbs his nose by going to the Soviet Union for a financial
- bailout. Gleefully making the announcement at a press
- conference, he even supplies the tabloid writers with their
- next morning's headline: PERKINS SAVED BY KREMLIN GOLD!
-
- The trouble for "Red Harry," as the right-wing press dubs
- him, is that he is not really in charge. His phone is being
- tapped. The CIA has infiltrated his Cabinet. His own
- intelligence chief is ferreting out scandals, real and
- invented, in an effort to bring down his government. In A Very
- British Coup, an engrossing new Masterpiece Theatre
- presentation, Perkins starts out trying to make a revolution.
- He ends up making a stand for the quaint notion that governments
- should be run by the people elected to office.
-
- After years of good, gray Masterpiece Theatre dramas, this
- three-hour import from Britain's innovative Channel 4 comes like
- a bracing wind from the North Sea. No decorous Edwardian soap
- opera, no fine period costumes, no tasteful cello music. This
- is a crackling, contemporary political thriller, directed at
- headlong speed by Mick Jackson from a witty, clued-in script by
- Alan Plater. The dialogue is dense, often overlapping, sometimes
- unintelligible. Compared with such relatively simpleminded
- American efforts as the NBC mini-series Favorite Son, A Very
- British Coup seems revolutionary in its own right: a TV
- political drama for adults.
-
- First, it gets the texture right, from the Cabinet meetings
- presided over with brusque efficiency by Perkins to the crowd of
- reporters that provides a constant heckling chorus. The plot is
- imaginative but plausible, just a half-step beyond today's
- headlines. When the power workers' union goes on strike to
- protest Perkins' economic plans, soccer stadiums are plunged
- into darkness and the nation into harsh second thoughts about
- the new regime. Later, to dramatize his views on disarmament,
- Perkins arranges to have a nuclear weapon dismantled on live
- TV. "I once tried middle of the road," he tells an aide. "I was
- knocked down by traffic in both directions."
-
- Ray McAnally, at once steely and folksy, could not be better
- as Perkins. The film's message -- that a sinister shadow
- government is calling the shots, no matter who takes office --
- is perhaps too fashionably paranoid. But this savvy political
- tale shows an uncynical faith in the ability of politicians to
- act on their beliefs, seek change, do battle honorably against
- evil. After a disillusioning presidential campaign, A Very
- British Coup may be just what American viewers need.
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